“Room for improvement” was one of these popular comments I got from teachers when I was going to school in Hong Kong. On some subjects, I worked my ass off and did better than half the class and I would still get the comment “room for improvement.” Personally, I never quite enjoy hearing a comment with the word “improvement” because it reminds me of how difficult and competitive it was going to school in Hong Kong.
What does “improvement” mean for you? And if there’s one thing you can improve this Year of the Dragon in your life, what would it be? Read more...
My filmmaker friend Ringo and I just came back from a screening of Luc Besson’s latest opus The Lady with Michelle Yeoh and David Thewlis and we got into a heated debate about the movie and essentially the beauty of cinema and representing Asia. I was quite excited about the screening as I love Luc Besson, Michelle Yeoh and David Thewlis… but sitting through the 127 minutes movie about the story of pro-democracy activist Aung San Suu Kyi and her professor husband Michael Aris proved slightly underwhelming.
“But you gotta give it credit that it’s an Asian movie trying to be an Oscar contender,” said Ringo. “I like the movie because it’s really trying to tell an untold Asian story to the global audience.” Read more...
Very few things make a movie more memorable than a memorable villain. And Hollywood has a long history of featuring on-screen Asian baddies—both the memorable and forgettable, the stereotypical and the sublime, the “authentic” and the offensive. Every day this week (Monday-Friday), I’ll count down my choices for the 25 most “infamous” of Hollywood’s Asian villains—the good, the bad and the ugly.
A hot Japanese schoolgirl (complete with the required uniform) who loves to kill people with a meteor hammer attached to a chain…I’m not ashamed to say that this just may be the woman of my dreams! Uma Thurman’s Bride and the lethal members of the Deadly Vipers Assassination Squad (DVAS) may be the stars of Quentin Tarantino’s revenge flick, but it’s Kuriyama’s teenaged psychopath killer Gogo Yubari who steals the show. And how could she not? Even among Tarantino’s extensive gallery of memorable characters, Gogo stands out—the pitch-perfect Kuriyama both embraces all the requisite stereotypes and fetishes while blowing them away at the same time. Yo Quentin, I know you read this blog so hurry up and bring Gogo back to the big screen as you once hinted you would. But just make sure your shooting dates don’t conflict with our wedding…my impending marriage to Gogo that is ‘cause…yeah, it’s gonna happen…uh, yeah.
Last week I blogged about five otherwise decent films ruined by Asian stereotypes. Today, I look at five films (in no particular order) with problematic portrayals of Asians but that contain at least one performance by an Asian actor that make the movies “better.” So without further ado:
On the face of it, the plot for this movie sounds pretty ridiculous: White soldier (Tom Cruise) travels to 19th century Japan and becomes the titular “last samurai” when all the other samurais are killed off, then proceeds to retire to a Japanese village to live out his life with his Japanese love. But what gives the film its weight and verisimilitude are the performances of the Japanese cast and, in particular, Ken Watanabe as the leader of the samurai rebels who takes Cruise under his wing and mentors him. Watanabe (who was nominated for an Academy Award for his work) grounds the film with a talent and charisma that appears so subtle and effortless that before you even realize it, you have witnessed the birth of a true American star.
It’s almost a rule of Hollywood movies that when you have a Caucasian lead paired with an Asian sidekick or love interest, the Asian character is going to sacrifice his or her life to save (or try to save) the white hero. In chronological order, here are nine major films worth checking out (I’ve tried to point out the good and the bad with each film) that fall into this category.
The other day I was talking to an acquaintance who was very involved in the recent protests against the film The Goods: Live Hard, Sell Hard. I’m sure most of our readers know about the scene from that movie which has outraged some Asian Americans: Ken Jeong plays a car salesman who gets assaulted by his white co-workers after another salesman, played by Jeremy Piven, invokes Pearl Harbor. You can read about it here.
Now, this acquaintance was very passionate about protesting this film, as well as the whitewashing of the upcoming live-action adaptation of The Last Airbender. He planned to participate in on-going actions against these two films because of the “vital” need for us to demand that Hollywood increase its representation of Asian (Americans) and to portray us more accurately. Read more...