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Best Quality Clips

  • January 4, 2012 10:17 pm

Lynn Chen is an actress who is attached to her computer. She has two blogs – The Actor’s Diet and Thick Dumpling Skin, both about – you guessed it – food. When she’s not writing for those sites she’s starring in films like “Surrogate Valentine,” “Saving Face,” “White on Rice,” “The People I’ve Slept With,” and the upcoming “Yes We’re Open.” Actors from “Better Luck Tomorrow” that she hasn’t worked with yet – Sung Kang, Jason Tobin, and Roger Fan.

I don’t think it should come as a surprise to anyone who grew up with me that I wound up becoming an actress who blogs about food. I’ve always been fascinated with seeing people eat on screen, so much so that I would save certain scenes to watch AS I consumed a meal. Rewind, salivate, play. Rewind, chew, play. Rewind, digest, play. I hate the term food porn, but that’s exactly what it was. My mother used to edit out the sex in movies I’d tape off of cable – there was no need – I wasn’t obsessed with those parts. Here’s some of my favorite drool-worthy scenes.

Joy Luck Club – Best Quality Crab

Never mind that this is the pivotal moment of the movie, where June finally connects with her mother. Give me that crab! I’ll take the worst quality one, gladly.

The Importance of Being Tsai Chin

  • September 28, 2011 12:01 am

My fond memory of Tsai Chin was picking her up from her West Hollywood condo to rehearse the reading of Simon Sun’s winning screenplay that I directed for CAPE several years back. On the way to West Los Angeles, Tsai and I would talk about everything from her experience in the film industry to her early life in China and London. Deliciously memorable as the sext girl who gunned down James Bond after saying, “I give you very best duck,” Tsai is a living legend of her own.

And she is a star.

5 Things Asians Should Avoid According to the Movies

  • July 18, 2011 12:01 am

I know that when many of our readers think of Asians in film, they usually think of negative stereotypes and a general lack of representation. But the movies have also taught us valuable lessons about how to best live our lives. And one way they’ve done this is by showing us what we should steer clear of. So here, according to the movies, are five of the things all Asians should avoid:

1) BEFRIENDING WHITE PEOPLE

Fu Manchu puts his trust in his British colleagues and what happens? They betray him during the Boxer Rebellion leading to the death of his family, which, in turn, leads him to vow to destroy the white race. Ken Watanabe decides to take pity on poor Tom Cruise and schools him in the ways of the Samurai and what happens? Watanabe ends up dead on the battlefield while Cruise gets to bang his hot sister and live happily ever after. Even my fellow Offender Sung taught young Lucas Black how to drift and received thanks in the form of a fiery automobile death robbing him of the chance to appear in the subsequent and lucrative Fast sequels.

The lesson here is don’t befriend and do nice things for white people ‘cause it will lead to death and destruction. So…wait…what? I’m being told that Sung does appear in the subsequent and lucrative Fast sequels. Really? But…but…he’s dead! Yo Justin, what up?

Two Martinis and a Glass of White Wine

  • March 3, 2011 6:30 am

MAYSIE

Acclaimed film editor Maysie Hoy was the artistic director of the improvisational company “The Good Will Store” in her native Vancouver when she was cast in the late director Robert Altman’s classic Western McCabe and Mrs. Miller. She moved to L.A. and for the next eight years learned the art of filmmaking by working for Altman as an actor and in research, costume and production design where she discovered her passion for editing. Her editing credits include The Joy Luck Club, The Player (co-edited), Smoke, What Dreams May Come (shared credit), Freeway and multiple films for Tyler Perry including his latest, For Colored Girls. Maysie is on the Board of Directors of both the Motion Picture Editors Guild and American Cinema Editors.

I became an editor after I assisted an editor who drank two martinis and a glass of white wine at lunch. When we got back from lunch, he would read the trades and fall asleep while I sat reading the script over and over. After two days of this I asked him, ”Would you mind if I try cutting this scene?”

“Knock yourself out, darlin’.” And he dozed off. So it would be like that for the next six weeks. While he slept, I would edit and I would wake him when it was time to go home. But before we left for the night, I’d show him my edited scene. He’d look at it and occasionally move shots around or eliminate some. Sometimes he would look at the scene and ask, ”What’s wrong with it?”

“ I don’t know.”

I had my own private editing teacher. How great was that? And I have also tried to drink two martinis and a glass of white wine but I fell on my ass.

My First (and Nearly Last) Day on ‘Friends’ (Part 2)

  • June 24, 2010 12:10 am

LAUREN

Lauren Tom began her career at the age of 17 in the Broadway musical, A Chorus Line. She is best known for her roles in The Joy Luck Club, and Friends, but has also appeared in Men in Trees for ABC, and in the films Bad Santa, In Good Company, When A Man Loves a Woman, Mr. Jones, With Friends Like These, Catfish in Black Bean Sauce, and Manhood. Lauren’s voice work can be heard in the animated series, Futurama, King of the Hill, Codename: Kids Next Door, Teacher’s Pet, Rocket Power, Max Steel, Batman, Superman, Kim Possible, Baby Clifford, American Dragon, Mulan II, Penguins of Madagascar, and the upcoming Kung Fu Panda (the sequel) and Kung Fu Panda (the TV series.) Lauren is a Leo/Pig and is the mom to 2 Chewish boys (that’s Chinese and Jewish), and a Can Opener to a cat, a dog, four turtles and 13 fish.

Read Part 1 here. Part 2 begins as Lauren accompanies Michael McKean to Carrie Fisher and Penny Marshall’s big party…

As we pull up to the valet parking service in front of Carrie Fisher’s house, I hear music and laughter pouring out the front door. The house is a traditional style mansion behind a gated wall in Bel Air. Michael steadies me as I negotiate my platform heels on the uneven brick steps. At each landing, votive candles glow from inside paper bags. I take a deep breath and smell jasmine.

Michael pushes open the front door. I’m immediately surrounded by every famous person I could ever name. Waiters carrying trays of hors d’oeuvres bustle about. I look straight ahead and see Tom Hanks and Rita Wilson, Ben Stiller, John Lovitz, Jamie Lee Curtis. I look to my left: Martin Short, Rob Reiner, Billy Crystal, Christopher Guest, David Lander. Michael takes me, the invisible ant woman, by the arm, and leads me towards them.

My First (and Nearly Last) Day on ‘Friends’ (Part 1)

  • June 21, 2010 12:23 am

LAUREN

Lauren Tom began her career at the age of 17 in the Broadway musical, A Chorus Line. She is best known for her roles in The Joy Luck Club, and Friends, but has also appeared in Men in Trees for ABC, and in the films Bad Santa, In Good Company, When A Man Loves a Woman, Mr. Jones, With Friends Like These, Catfish in Black Bean Sauce, and Manhood. Lauren’s voice work can be heard in the animated series, Futurama, King of the Hill, Codename: Kids Next Door, Teacher’s Pet, Rocket Power, Max Steel, Batman, Superman, Kim Possible, Baby Clifford, American Dragon, Mulan II, Penguins of Madagascar, and the upcoming Kung Fu Panda (the sequel) and Kung Fu Panda (the TV series.) Lauren is a Leo/Pig and is the mom to 2 Chewish boys (that’s Chinese and Jewish), and a Can Opener to a cat, a dog, four turtles and 13 fish.

It’s the summer of 1994. I am an out of work actress sitting in my home in the Hollywood Hills watching an episode of a new sit-com, Friends, on NBC. I seem to be having a mild crush on one of the characters, Ross. I distinctly remember thinking, “I’d love to work on this show. And I’d love to play my scenes with that guy. I’ll wait to see what his name is in the end credits. David Schwimmer. Got it.”

The next morning, I’m walking on my treadmill eating a Krispy Kreme at the same time, when my agent, Leslie Siebert, phones. “Lauren, I have a job offer for you.”

“A ‘what’offer?” I say, slowing down the treadmill.

“I know, it’s been awhile,” she says in a dry, flat, tone. Even when Leslie was a fledgling agent, she always sounded like she had seen it all, heard it all, and done it all before. Most people are afraid of her, including myself. “The producers of Friends want to know if you’d like to do a 6 episode arc on the show starting next week—playing Ross’s girlfriend.”

Conversations with Wayne (Pt. 1)

  • June 7, 2010 12:00 am

During the 2007 VC FilmFest (The Los Angeles Asian Pacific Film Festival), director and Offender Justin Lin (Better Luck Tomorrow, Fast & Furious) sat down with director Wayne Wang (Chan Is Missing, The Joy Luck Club) for an intimate one-on-one discussion. We will be presenting the edited transcript of that discussion in multiple parts starting today with Part 1.

PART 1: Of Origins and Beginnings

(in which Justin and Wayne discuss their early forays into filmmaking)

JUSTIN LIN: So before we get started, I wanted to share a story. I remember back in film school, I took this Asian American studies class and they showed a clip of Chan is Missing. I was instantly drawn because it was the first time I had seen Asian Americans exist in a world where they weren’t there for an “Asian” reason but were just there. I didn’t get to watch the whole film because it wasn’t available until ten years later. But it was amazing, the little clip that I saw. That was my first exposure to your work.

WAYNE WANG: Well, I have a similar story. Actually it was on vacation in Honolulu. I saw Better Luck Tomorrow advertised at this huge mall with like 300 theatres and I walked in without knowing too much about it and it was the first time I felt that there was a new generation of Asian American directors. You know after so long, you see a lot of stuff. But you know that was the first time I truly felt that in my gut, that it’s happening. There were a lot of interesting things in between; I mean there were really interesting documentaries; there were more executives in the studios; but it was great to see Better Luck Tomorrow because it’s truly a whole new generation, a new sensibility and it was authentic characters who are Asian and it was great.

Five Movies Asian Chicks Should Not Take White Guys To See

  • March 11, 2010 3:16 pm

I recently blogged about the films my Asian American brothas should never watch with a white woman they want to mack. Well, I’m all about the equal opportunity and I know there are some Asian American sistas reading this who also have a craving for the white meat. So if that’s you, here are five flicks you should never watch with your white dude if you want to keep him from bolting out your door.

RINGU (1998)

The one that started it all–this is the original Japanese horror film about a girl who seeks vengeance from beyond the grave via a cursed videotape. This is a chick who gets conked in the head and thrown down a deep well–after which the well is tightly sealed. Yet, she still manages to somehow climb out of your TV to fuck you up good. There are people who already think Asian chicks especially Koreans are crazy (not me of course), so do you really want your white man to worry that you’re going to track him down and fuck him up good if he does anything to slight or upset you? Do you want him to think this will happen to him (and yes, that is Hiroyuki Sanada from Lost):

Five Things White People Love That Asians Hate

  • November 17, 2009 6:23 pm

PAYING FULL PRICE AT RETAIL ESTABLISHMENTS

shopping400Yes, I know white people use coupons and search for bargains especially in our shitty economic climate, but they do so reluctantly. If it were up to them, they’d spend their money at the highest end stores and pay full retail prices. Why? Because to do otherwise would be to admit they no longer occupy the top slot on the social pecking order and they may as well be white trash and start breeding with their first cousins. Asians are completely shameless in their love for discounts. They have no qualms about bartering at the Louis Vuitton counter to cut the price of a purse in exchange for five live chickens. And hell, if they can’t get that purse at a good price, they’re happy to buy the cheaper knock-off brand courtesy of Luis Vuitton. The only exceptions to this rule are Koreans who easily out-white the whites in this area. They may be flat broke, but Koreans will purchase the most expensive brands to show they can. Even when they can’t.