I can’t believe I’ve known Sung Kang for over a decade. And neither can I believe that we have worked together multiple times and have not inflicted grievous bodily harm unto each other. I jest, I mean I think we’re both pretty laid back and calm and we must have a lot of common ground after all these years.
I met Sung while working on Better Luck Tomorrow, I remember that after his audition, there was no question in any of our minds, he was Han – little did he know that he would be HAN for over a decade. What I sparked onto with Sung was how his personality is really different from the brooding, silent types that he portrays on screen. In person, he’s really lighthearted, goofy and love to laugh. Our conversations usually centered around how we both loved and hated what we did (acting and filmmaking) and just wanted to somehow capture those moments of what we love the most and make a career out of it – all on our own terms (kind of a pipe dream, I know). Our paths continued to cross over the years and we always discussed working on a project together, but things never really got off the ground. I (co-)wrote Sunset Stories with Sung Kang in mind. I remember him telling me that he wanted to do something different. The character of JP in Sunset Stories is an East LA musician who is on the verge of big life changes. Should he cash in his dreams and start a family and be resigned to be a wedding singer? I knew that both Sung and I had talked about trading in the dream for reality, so I knew even if this character was far from him, he could identify with that central question.
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The other day I was talking to an acquaintance who was very involved in the recent protests against the film 
