Awww yeah… Who knew that young Vietnamese immigrants who grew up in the ’80s were such New Wave fans? I saw this great post from my favorite blog of the moment, Bi-Coastal Bitchin, in the revival of New Wave parties in Little Saigon (check out my other Little Saigon OG stories here and here). In fact, there was a recent bash this past weekend in Garden Grove, CA. It was called Mission Control, in honor of an arcade of the same name where many young Vietnamese would hang out, ditch school, check out each other’s A Flock of Seagulls hairstyle and get the latest news on where the next sick house party will be. 

New Wave, however, really struck a chord with young Vietnamese and many hail this era as Asian New Wave, since pockets of Chinese and Korean youth in SoCal also embraced this music and culture. But Vietnamese, especially, took it to a whole other level, mainly in part to the Vietnamese music industry. Paris By Night was a popular Vietnamese language variety show that was primary filmed entertainment of in-language music acts that everyone watched in the Vietnamese diaspora. I remember watching them religiously, as a kid, with my parents, aunts and uncles. 

Anyway, as Vietnamese New Wave got popular, so did the Vietnamese cover artists like Trizzie, Phuong Trinh, Khanh Ha, and the Uptight. Many of them performed cover songs of Devo, the GoGos, Depeche Mode and the like, but also more obscure acts like Rational Youth, CC Catch and Joy, but also Vietnamese originals too, like this one: YouTube Preview Image There were some differences with Vietnamese New Wave and mainstream New Wave. VNW also embraced a lot of Italo Disco, which is a broad term for European dance music from the 1980s (proto-trance). Many of the Vietnamese singers who would cover these songs would also incorporate Vietnamese language into the songs. Here is one example, a Vietnamese version of Kashmir’s “I Want To Be”, in glorious Vietlish (hey, these young kids were immigrants after all): YouTube Preview Image Eric Brightwell from the Amoeba Music blog did an extensive interview with some of the VNW tastemakers back in the day and asked them why New Wave was so popular. Ian Nguyen, who is a founder of Keep On Music, an ’80s New Wave revival club promoter, answers:

“We were teenagers… New wave music was booming among the Asian youths; there were many college parties organized by Vietnamese Clubs from UCI, Cal State Fullerton, etc. But the most fun were the house parties… Sometimes we even drove to San Jose for a school party. New wave music was heard at every coffee shop and in every car in Orange County.”

A quarter century later, the revival is back. Many of these tastemakers are now responsible adults with families, mortgages and the white picket fence. But, the revival is back! Keep On Music is keeping the flame alive and many of the New Wavers are coming back in droves to these periodic’80s bashes at venerable Asian clubs like Sharks and CAN Night Club. Check out their recent promo for their recent dance and costume party hosted by Lucy Tran and Phuong Mercedes: YouTube Preview Image What is hilarious is when Lucy in the video rattles off the sponsors for this event and I thought she said, “Get your  t-shirts at Nguyen City!“, when in actuality, the place is just called “Wing City.” Ha!

I wonder if this arcade is still around?