Though I was not a juror, I loved all the top choices of Interpretations. “Shine” actually brought tears to my eyes, which is a major accomplishment for 3 minutes. All the winners also really thought about the lines of the script and didn’t just throw them in without any real context.
There were many other shorts that I also loved and yes, there were some personal faves of mine that didn’t make it, but just think of trying to get 10 friends to unanimously agree on 5 pictures that should be nominated for the Oscars. And with 240 pictures to choose from, I think it would be close to impossible. Films are subjective. That’s their nature. Yes, perhaps next time, there can be more awards, but the organizers never anticipated this many entries. They thought they would get maybe 50 entries if they were lucky. Also, I understand that entries that didn’t win but had an impact on the judges will be focused on in the coming weeks. So check back for those.
FOR THOSE WHO DIDN’T WIN
Hollywood is a very difficult place that many people aspire to be a part of whether you are white, black, Asian, Hispanic or anything else. They don’t call it the “land of broken dreams” for nothing. If you want to make it in this industry, be prepared for lots and lots of rejection. Be prepared for lots of notes, criticism and general degradation. So in a way, not “winning” is a good preparation for Hollywood. This little film contest is a tiny dust mite in the landscape of disappointments, rejections and perceived injustices you are going to face in the biz, so if you don’t have the chops to take it, get out now! Run!

When I do pitch after pitch, write up treatments, do months, maybe even a year of work for free and then in the end, the project doesn’t get sold, I don’t sit there and think “It’s because I’m Asian,” or “It’s because I’m a woman.” I think “What can I do to improve my pitching skills for next time?” “What other venues can I approach with my project?” “How can I utilize the network I’ve made even though I didn’t get the project?” It’s a tough biz and it’s seldom fair, so the sooner you realize that and stop whining about it, the better. The person who cares most about your career is you and the only one you can really rely on to empower yourself and beat the system is also you.

OK, so you weren’t selected to win the Remy and the cash prize. As cliché as this may sound, everyone can be a winner. You now have a short film under your belt which you can list under your credits. You should have learned at least one new thing about making a film. (I know I did.) You should have made at least one new contact who can be useful to know in the future. (I know I did.) You have picked up at least one new skill that you didn’t have before. (I know I did.)
Now go out and make another!!










Thoughtful and endearing post. I was part of a team that made a film which we thought stood a good chance (The Necklace with Karin Anna Cheung, written and directed by Michael Aki) but alas it didn’t work out that way. But regardless of how the contest went, we still had a great and awesome time making a film and the learning process for all of us was phenomenal. But any journey isn’t about the down moments but what you do after, stay down or get up. And I think getting up is the better proposition…:)
hear hear! As cliche as it is now about the “digital revolution,” everyone who entered is a winner simply by virtue of creating a voice that would otherwise not be heard.
But if yomyomf media makers can’t acknowledge that racism and sexism are very real and prevalent in the US media then there’s no real purpose for this contest to be at the SDAFF or any other “Asian” events, it could’ve been taken by Toyota to any white mainstream festivals.
(Even then, WHITE elderly and disabled people complain about ageism and physical discrimination.)
In fact, if yomyomf doesn’t want to deal with Asian-American media issues whatsover, then all the more power to you folks to not say anything about racist anti-Asian portrayals in order for you folks to keep on working in the mainstream media.
HOWEVER, if yomyomf post topics about Asians in the US media then you’re definitely going to get flack. At least be gracious and open minded about it like David Henry Hwang.
Take your own advice about criticism when the rest of the APIA internet has something negative to say about you media makers.
@ audience member- what are you talking about? I’ve read this site since it started and they clearly acknowledge racism and sexism exist but choose not to blame it as the sole reason for disparity in the industry. Just because they don’t sit there and bitch about it like most of the APIA community doesn’t mean they don’t acknowledge it.
@gil: Precisely proves my point. If they want to talk about APIA media issues then they’re going to get flack from others who want to talk about it.
So yomyomf should heed their own advice and practice what they preach and be good sports about criticism about racial discrimination in the US media.
Otherwise, disable the comments and be like “Angry” Asian Man and just be an info outlet. But that don’t mean other folks on other websites aren’t going to talk either.
And never did I wrote anything on the “sole reason for the disparity in the industry.”
APIA media’s artist merits are something altogether another issue. Which to Iris’ credit, she has posted some tips in other blog entries.
audience membe, duly noted. This is getting embarrassing.
they are being good sports by letting people comment. You’re entitled to your opinion, even though it’s myopic and misinformed. btw, DHH and Iris are a part of the yomyomf family.
If my views are myopic and misinformed then there’s there should no reason whatsoever to fear the ideas being presented.
The real fear comes at when the ideas might be true and has foresight and then people like you (gil) want to censor and repress it by calling it bitching.
don’t worry, no fear here my friend. in no way was i suggesting you get censored. like i said, you’re entitled to your opinion, even though it’s myopic and misinformed. and yes, bitching is still an opinion.
@Iris You cried after watching shine? HAHAHAHAHAHAHAHA you’re more stupid than the big wigs running the interpretations contest
Is that enough whining for you?
The lack of class around here is so disheartening…
@Jack, then I’m proud of my stupidity and proud to be grouped among the judges and organizers.
If you are who I think you are (based on certain clues), then you are still very young and have lots of opportunities to make more films and submit to more contests. I’m just guessing again here, but I bet you had a lot of fun in the process of making your film and that’s definitely something you should take away with you rather than the negatives. And I was, in fact, very impressed with the young film makers who submitted just for the mere fact that when I was that age, I couldn’t have done what you all did.
@Jackass: In case your processing speed is real slow, you can checkout the sponsor of Interpretations and see it’s Toyota.
Heed everybody’s advice that while the cash prize might have been nice, it’s the experience and good times you had with new friends you’ve made that’s more important.
@babycheeks: Who made you the authority of moral judgments?
@Audience member If you stop and notice, I was talking about the judges not Toyota.
@Iris “what you’ve just said is one of the most insanely idiotic things I have ever heard. At no point in your rambling, incoherent response were you even close to anything that could be considered a rational thought. Everyone in this room is now dumber for having listened to it. I award you no points, and may God have mercy on your soul.”
Ok, audience member, Jack Simon, or Chunks, whatever you call yourself.
There’s a difference between offering valid criticism and just being a punk. That is what you are.
@jstele: get over yourself. i have not contributed to these discussions whatsoever.
you’re like Ahab without a real whale and just chasing your own demons of angry [online] militant Asian men (not including the apologist Phil Yu).
Chunks,
“i have not contributed to these discussions whatsoever.”
Yes, I agree
that’s what you do best, bend over and agree to everything the white man tells you
oh my! what a lively and spirited online discussion. well listen folks, if you’re in los angeles and you’d like to continue this thread live and in person then i encourage you to come see FOUR (yes, four!) of the interpretations entries on the big screen! SPICE IT UP! will be screening along with Randall Park’s hilarious WWJD, Jolene Kim’s enchanting CAFE ON A STAIRCASE, and Timothy Tau’s stylish THE CASE. that’s 4 shorts for the price of one! Wednesday, Nov. 3, 8pm at El Cid in Silver Lake. If you’re on Facebook, here’s the event invite: http://www.facebook.com/event.php?eid=170656682950715
eat, drink, discuss racial issues and gender politics, and make rude, disparaging statements right to other poeple’s faces without the relative anonymity of the internet! it’s gonna be a blast! join us!
@FeO, unfortunately I’m on the east-coast.
just have to say that of the interpretations, your’s is the most deserving to win. it’s funny, but also having an Asian couple is extremely rare in any type of US media, especially indie Asian-American made.
thanks, chunk! we’ll miss ya!
One more reason to stop by El Cid on wednesday:
Deborah Craig’s WHITE OUT will also be screening! So that’s FIVE, yes FIVE, non-winning Interpretations shorts for the price of ONE. that makes YOU the WINNER!
SPICE IT UP!
RANDALL PARKS’s WWJD
JOLENE KIM’s CAFE ON STAIRCASE
TIMOTHY TAU’s THE CASE
DEBORAH CRAIG’s WHITE OUT
Holy crap! That’s insanity!