By now, I’m sure most of you have heard of Yale law professor/author Amy Chua’s recent Wall Street Journal piece (excerpted from her new book) about why the super-strict, dictatorial “Chinese style” of parenting is the way to go (check out my fellow Offender Anderson’s take here). Chua’s article was mostly met by outrage from the community and she’s been accused of everything from perpetuating stereotypes to fucking up her kids’ childhoods to being the dragon lady. Considering the level of vitriol slung her way, you’d think she was guilty of selling her children to pedophilic serial killers.
Well, I’m here to say she has nothing to feel guilty about. In fact, I’ve had enough of all these negative and misguided attacks against Chua. It’s about time someone from the community rose in solidarity to stand by and defend her. And I guess that someone will just have to be…moi a.k.a. me.
I know my fellow Koreans reading Chua’s piece are like, “Really? What’s so bad about this? Sounds like her kids are living in paradise.” However, most people are going to respond to Chua’s parenting style/tips with more of a “What the fuck?! You crazy, bitch!” But is what she’s suggesting really that bad? Upon closer examination, I’d have to say the answer is no. Let me explain.
First, let’s not even bother with some of her “less extreme” parenting tips like how your child has to play violin or piano or can’t get any grade less than an “A.” Most Asian Americans who were raised by traditional parents had to abide by these rules too and we got through it OK. And how about the awful “crime” of calling her children “garbage” or threatening to give their toys away to the Salvation Army? Come on, been there, done that.
But she appears to push things much further than your typical hardass Asian parent and therein lies her alleged guilt. Take for example, the following restrictions she’s placed on her daughters: they cannot attend sleepovers or have playdates. On the surface, this sounds overtly harsh because it’s basically code for “you cannot have any friends or a social life.” It’s one thing to vet your kids’ friends but to deny them friends altogether? Oh, the inhumanity…
But that’s the Western way of thinking. In reality, she’s doing what any good and responsible Asian mom would do by protecting her daughters from a very real threat. In this instance, the very real threat of…lesbianism.
‘Cause we all know what happens at those sleepovers. A bunch of teenaged girls lying around talking about boys, which can easily lead down a slippery and dangerous path to this:
“Have you ever kissed a boy, Mary?”
“Why no, Susan. I have thus far remained pure and innocent.”
“Well, since we are at a sleepover, why don’t we practice kissing with each other?”
“I guess that sounds OK. I mean if my Westernized parents are so lax in their parenting skills that they would allow me to attend a sleepover instead of practicing the violin for six hours, I’m sure they would approve of me making out with another girl.”
And then before you know it, there’s porn music playing in the background and your daughter and her nubile, freakishly-bosomy-for-her-age friend are locked in an erotically-charged game of sexy tongue tennis (Final score: Love 69!). It gets so hot and steamy that the straps on the girls’ skimpy Hello Kitty nighties snap off, which leads to the following exchange:
“Oh no! How did that happen? I guess we have no choice but to take off our nighties and engage in a naked pillow fight!”
“And after that, we can play another new game I learned at a previous sleepover and/or playdate. It’s called pearl diving.”
And just like that you’ve lost your daughter to the dark side. All because you were a lax parent and let her attend a sleepover. Forget about Harvard or Yale now. Sorry, but your daughter’s going to Wellesley with her fellow pearl divers lesbians.
Similarly, if you examine the rest of Chua’s parenting philosophy, you’ll see that she’s only trying to protect her children and doing what’s best for them. Can we truly fault her for that?
Now, many of Chua’s Asian American critics have used the fact that she’s married to a white guy as a way to discredit her. If she really thinks the Chinese way is all that, they argue, why isn’t she with a brotha? The fact that she’s not is just proof she’s actually self-loathing; making her whole agenda suspect.
Before we make too much of this, let’s keep in mind that Chua herself is an over-achieving, super genius. She’s not stupid. If she were married to an Asian guy, she wouldn’t have as much legitimacy with her target audience: the American a.k.a. the white public (Asian Americans don’t buy books so who gives a fuck about them anyway?). White folks would dismiss her argument that the Chinese ways are better than the Western ways with the refrain of, “She’s just a chink, what does she know?” However, by being married to a white man, she automatically gains the experience to be an expert on both Chinese and Western cultures and her opinion on the subject now carries more weight.
But for this to be true, that means Chua would have had to deliberately chosen to marry her white husband two decades ago and given birth to her children solely as part of a grand plot to give her the legitimacy and marketing hook to one day cash in by writing a best-selling book extolling the virtues of Chinese parenting. Surely, I can’t be making the absolutely insane claim that she hatched this elaborate scheme decades ago just so she’d be able to promote her agenda and have her moment of fame now in 2011?
Why yes, yes I am.
My hats off to you, Professor Chua. Hmm, Professor Chua…her name even makes her sound like she should be a Batman super-villain.
Now, having said all this, what about Chua’s children? They’re what’s most important here so we can’t lose sight of them. Well, at the end of the day, there’s no way to predict how they’ll respond to this strict method of parenting. Maybe they’ll turn out to be the super-successful lawyers or doctors Chua is pushing them to be. But it’s possible they may also rebel or snap and become the drug-addicted strippers some of Chua’s critics say they’ll turn into.
Fortunately, the brilliance of Chua’s plans allows for a win in either case. If her kids grow up to be the model minority wet dream, she can claim victory and say I told you so. If they turn out to be fucked-up failures, well, that’s definitely fodder for another potentially best-selling book that can bring her more riches and fame. Genius! Either way she’s guaranteed material success. And isn’t that what her Chinese parenting agenda is all about anyway?






Lawl, I enjoyed this article. I found this blog today because of the Amy Chua controversy – you’ve gained a new follower!
Nice blog & job with turning the argument around.
I have FORBIDDEN my 5 y/o to ever take a class from Chua once she gets into Yale…. or another Ivy League school (of course). And I’m not going to contribute any $$$$$ to her Legend In Her Own Mind Fund. The CIA should recruit her though for some torture tips.
All kidding aside…..this woman & “mother” is toxic. She does NOT represent me as a Chinese. Though Chua is smart and successful, she is NOT the type of role-model I would want for my daughter.
YMMV.
Good Luck!! 8-D
her book is satire.
i hope its satire, for her kids’ sake.
Tell me more about these sleepovers!
Thanks for posting the picture of the sleep-over. Do you have anymore pictures of the hottie at the far right who is wearing the brown shorts.
BTW..I am doing research on the lesbianism effect of sleep-overs for my doctorates degree.
anybody keeping tabs on how many books she’s actually selling because of this little BS PR stunt?
Chua is an amateur. She’s got nothing on my mother…
And I thought my mom was a crazy strict Chinese parent. Amy Chua sure took it up to another level of parentingl >__<
Let’s zoom out a bit and not just think Chinese or Asian and let’s look at how Joe Jackson’s children and family turned out. Sure…we all love Michael and even the Jackson 5. And even Janet. But look at the price that was paid.
what the heck? she just promoted the stereotyped image of the Chinese. not all of us are like that. my parents believe that having a social life when young is just as important as good grades and see how well we have turned out. why can’t Chua just accept that not all the successful Chinese have gone through the torture she is putting her kids through. there are lots of us who are naturally brilliant with an enriching social life to boot and we love our sleepovers.
It’s the Stockholm syndrome. She is identifying with and propagating the very oppressive environment that she had grew up in, mistakenly assuming that it must have been the best way simply because it didn’t have a negative effect on herself, then I must be the correct way. Her attitude that being the best is the only worthwhile goal for doing anything, is itself an attitude that is imprinted in her and accepted without questioning. She is no model mom, she’s just a chain in an ongoing vicious cycle.
You make it seem like having lesbian daughters is a bad thing… I’m all for more girl-on-girl love.
Amy Chua is playing with fire here. Somebody should seriously report her to Child Protection Services!
Granted, probably nothing will come out of it, but seeing her reaction to a child protection worker knocking on her door would be absolutely priceless! At the very least, make her sweat and make her think twice…
I’m also sick of this bullshit model minority stereotype. Fuck it, if i don’t wanna be a doctor and/or can’t get into an Ivy League university, that don’t make me less of an Asian.
Amy Chua’s kids will not turn out drug-adled whores, because they don’t JUST have a Chinese mother. This whole controversy makes it sound like they’re raised by a single mother. They have a freaking white daddy that takes them to Yankee games for Chrissakes! Sorry, but for all her “extremism,” Chua’s kids will be totally balanced.
bet lulu won’t be getting hanzi tramp stamps
[...] Moms Are Superior’. (An exception to the rule – my fellow bloggers Anderson and Phil have simply gotten hot and bothered by her MILF-y appeal and tough love modus operandi.) In a [...]
Well for all her Chinese pride, I still say sell out. Her daughters never say that they are Chinese. They always say,” Mom is Chinese but we are Jewish.”
So she has her position at Yale, her niche writing and research on Chinese, Asians but specifically East Asians but her family is from the Phillipines ( while Chinese though) and she is from the US and all her life has wanted not to be a part of the Asian Am. community.
Nice! Why do we have so many like this?
The daughters are smiling politely – because after their performance, they’re BURNING THAT MUTHA HOUSE DOWN!
[...] us off. But I laughed my ass off after reading You Offend Me You Offend My Family’s response, In Defense of Amy Chua a.k.a. MILF-y, Angry, Overachieving Chinese Mother. Absolutely brilliant! Mmmm… teenage lesbian sleepovers! Definitely check it out for a [...]
She married a white guy and never had anything to do with the Asian American community.
Nuff said.
lol, this lady might as well be white.
Well, another reason why I don’t want an asian wife.
Its was a very interesting article. As a Asian-American 20 something male I have a unique insight. The article is very true in someways, very stereotypical and nigh-on batshit crazy in others. No play dates? No spending less than 2-3 hours on Piano and violin? I made it to Amus level, and I didn’t need to get pushed, I enjoyed it as a teenager trying to learn unique works of music by different composers. Forcing them wont make them anymore than mindless robots. Same with studies, you have to push a fair bit, but not to Mrs. Chua’s extent. Intelligence and good works are to an extent dependent on their inbuilt skills and brain capacity. Pushing them to learn when perhaps they don’t want to, or don’t like it will again turn them slowly into mindless robots. i was lucky (or lazy) in that I was able to score top grades and make it to an ivy league school on almost pure talent, because senior year i got a little lazy. My parents understood that if they pushed me over the edge, i would fall of the cliff like some of my other friends (alcohol , drugs, gambling etc). I turned out pretty well. I’m worried about these girls.
One should also take note that these girls are obviously Eurasian, and that their father is a white American male, yet he isn’t in the article. Is he a dominant father? Does she wish to be different to non-Asian mothers purposely?
Also check the wikipedia entry on Amy Chua. See one previous interview, Chua states that both daughters consider themselves Jewish and not Chinese. “Mom’s Chinese but we’re Jewish.”
Wow, what great lessons did Ms. Tiger Balm impart on her own kids about this thousand(s) of years old culture and its discipline? I could have taught them that from reading any book from Ethnic studies–White Makes Right and Shake that money maker!
I love this bc I see this all the time among especially Chinese and Filipino American’s the ones who marry out. That includes the extreme right wing TV , Fox was it personality, Malkin but she never uses her maiden last name because well Phillipines in its current geopolitical position situation is not a looming giant in any shape or form.
Oh but that’s where Ms. Chua’s parents are from ( both ). Whoops. ” But hey I am Chinese, thus I write books about East Asian, yada, yada, yada.”
I think I saw it somewhere where someone mentioned the outmarriage rate among Asian Ams. is 40% and 2.5 to 3.2 ( depending on the study ) to one–Asian female with white male vs. Asian male with white female, that is two and a half to three times as many wm-aF couples as AM-WF couples. This figure counts the total of all marriages which have at least one member who is listed in census info as Asian American.
Sorry but that outmarriage rate is far more skewered than what you think. 60-65% of the Asian American population were born overseas. Many such as the parents of most of my asian american friends are first generation immigrants from Asia. Hence, Asian father-Asian mother. But if you want to know the real statistics for Asian Americans who are American not only by passport but also culturally (they don’t have to have been born in the US but were raised in the US and consider themselves without a doubt, American ), then you must take out the data from 1st gen. immigrant marriages.
That figure of the outmarriage imbalance would have to exclude the marriages of the Asian-Asians 1st generation immigrants from Asia because 1.Asia in the past was very very homogenous in population(s) and 2. data from these marriages is not relevant for Asian American ( not just passport but culturally American ) outmarriage ratios.
Therefore the true outmarriage rate among Asian Americans who are culturally Americans would be something on the order to 5 or 6-1 Asian female-white male for every Asian male-White female couple.
Why doesn’t somone talk about that and why the Asian American community is so weak politically? Let’s study that please.
So final question, Michelle Penalosa ( of whatever is her maiden name) Malkin, Amy Chua Rubenfeld, Connie Chung Povich, Lily Hong Kingston and Phoebe Eng Shroff ( Warrior Lessons). What is the ethnicity of the husbands of all these famous Asian Am women? Perhaps we should read books about this ethnic group and how insider networking gets you into academia, media, publishing and Hollywood. However, if Asians ever become as empowered as this white ethnic group, they would do the same too ( inside networking which is very very exclusive and exclusionary ).
@Bobby – wow, dude! you read my mind. i’ve been saying the same things over the years on the census rates that CN Le undercounts 1st generation AF/AM marriages of immigrants. 70% of Asians are born overseas.
and don’t forget the census includes South Asians and other ‘Asian’ ethnicities that aren’t as heavily pursued by WM in the media – at least not yet.
[...] IN DEFENSE OF AMY CHUA A.K.A. MILF-Y, ANGRY, OVERACHIEVING CHINESE MOTHER: [...]
“She’s not stupid. If she were married to an Asian guy, she wouldn’t have as much legitimacy with her target audience: the American a.k.a. the white public (Asian Americans don’t buy books so who gives a fuck about them anyway?). White folks would dismiss her argument that the Chinese ways are better than the Western ways with the refrain of, “She’s just a chink, what does she know?””
Haha! Very true. Excellent point.
She’ll make a lot money peddling Asian stereotypes. We have so many of them in America. Im beginning to think it is a conspiracy.
It is quite amazing to see how many Asian women make money peddling their white man’s version of Asia married whites.
I have yet to hear any Asian American couple making it in American media.
Your ass looks so delicious right now. I want you and your daughter to get in front of me, turn around, drop your pants, and bend over so I can fuck you repeatedly like the little whores you are.
I have a throbbing pecker…
it desires to find its way into your ass and mouth, and fuck them repeatedly until it vomits its load into your orifice.
Philip,
No one cares about your shitty opinions you silly little whore. Drop your pants and bend over so I can stick it in your ass!
All races are genetically different, they are not equal. The only reason this is ignored is to protect the feelings of other races and because it is not socially acceptable, despite the fact that it is painfully obvious.
e.g. African-Americans are on average 26% faster than Caucasians, Asians and others.
This because they have spent their lives chasing animals for food and hunting at night, the fastest and strongest were the only ones who caught the prey, as well as being the only slaves that survived the boat trips.
However, mentally, blacks are the most primitive race with only 1 in 500 blacks having a high IQ, against the Caucasian average of 1 in 20. They still have their natural instincts to band together in gangs, which are basically tribes with better weapons. This mentality makes it difficult for them to fit into a modern society, and why blacks commit more crime than any other race. Its not their fault, they just haven’t evolved away from taking what they want because they can, just like a gorilla.
To be fair, blacks have contributed very little, if anything, to society. If we were to round them all up and put them back in Africa and Jamaica, the only thing that would change would be there would be less taxpayers money spent on cleaning up the black’s mess.
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Her daughters are going to feel so repressed! She will vet their boyfriends putting the bar so high that they will be virgin at the age of 25. Then they will go to NYC and become hookers.
Some words penned in response to the thoughts of a student writing elsewhere . . .
I would not normally lock horns and try to best a junior in high school; I’m hoping you do not read my words here as such, for they are meant for you only as a provocation to further thought to your ideas well-presented.
You’ve written that you “used to get frustrated when I had to practice violin and I really didn’t want to . . .” Do I read correctly that you no longer “get frustrated?” If so, that’s a remarkable advancement. As a musician myself I want to ask you, Why do you practice violin and not another instrument of your choosing less frustrating, for examples, flute, harpsichord, tuba, or tabla. There is a vast – and I do mean vast! – repertoire for each of those, and many other, instruments that could challenge you unendingly for the remainder of your life. Instead of spending hours at your chosen instrument (whichever it may be) in the drudgery of isolated practice, why not spend more of your time in practice with music ensembles of various kinds. This can yield a discipline and advancement of a uniquely different kind. If you are studying formally with a violin teacher I’m quite sure he will confirm the well-founded idea that, as a performer, playing an instrument is one kind of challenge but playing an instrument WITH PEOPLE is significantly more so. A musician in isolation is a musician limited. And herein lays one, only one, of the transparent contradictions of the way Professor Chua has taught her two daughters to approach their instruments; opportunistically solely for unartistic purposes.
A fundamental flaw in the approach to music of Amy Chua – an amusical hack with no known talent for an art of any kind! – is that she has decided it’s perfectly acceptable to pervert one of the greater of the fine arts for use in ulterior purposes. In the example of the Chua family, so-so slogging through masterpieces of music was used to impress others when applying for admission to university. (Would Professor Chua dare to advocate this openly with religion, physics, good grammar, or issues of national interest?) The whole idea that her elder daughter, Sophia, played a debut recital in Carnegie Hall is an early example of the pervasive blight of résumé bloat on which social climbers like Amy Chua have advanced themselves; a blight to which the Chua daughters were introduced early by two parents who know well how to tweak the system to gain unearned personal advantage.
Carnegie Hall, http://www.carnegiehall.org/history/, includes three auditoria in its building: Stern Auditorium http://www.carnegiehall.org/information/stern-auditorium-perelman-stage/, Zankel Hall http://www.gotickets.com/venues/ny/zankel_hall_at_carnegie_hall.php, and Weill Recital Hall http://www.carnegiehall.org/Information/Weill-Recital-Hall/. It was in Weill that Sophia performed as only one among a cattle-call string of young pianists that day. Do you doubt what I write here? Compare the architectural design,
http://si.wsj.net/public/resources/images/RV-AB160_chau_i_G_20110107132345.jpg, behind Sophia with that of the architectural design at the rear of the stage in http://www.carnegiehall.org/information/stern-auditorium-perelman-stage/. Having been a performer, myself, in both Stern and Weill over many years you have my assurance that Sophia performed her piece in Weill. Debut recital in Carnegie Hall! Indeed!
You have written about your parents that they are “less extreme than Chua I’ll admit, but a lot of her memoir is satire and exaggeration.” Don’t be deceived by quick-change artist Professor Chua. She has spent more than one year trying to convince readers of her text that she is some kind of nouveau belles-lettrist who did no more than exercise a writer’s license to engage her readers. In truth she meant what she wrote until her hypocritical posturing as an authentic Chinese mother — born in Illinois to a Filipino father, neither speaks Chinese nor writes Chinese script — came back to haunt her with a ferocity that caused this self-styled Tiger Mother to recoil into improvised doublespeak. Amy Chua is a complete fake!
All young musicians should be given only two music instrument choices to pursue in life, Violin or Piano. All else is useless waste. Any adult giving such advice is one woefully ill-informed. As a bass trombonist, my instrument has been my first class ticket from person-to-person, school-to-school, city-to-city, studio-to-studio, and stage-to-stage. With the kinds of preparations the Chua daughters were given will they ever perform, as I have, with Richard Tucker, Birgit Nilsson, Roberta Peters, Herbert von Karajan, Leopold Stokowski, and the two-thirds of The New York Philharmonic who were my schoolmates for five years in Juilliard? Forget it!
Mercifully, I was never besieged with a Tiger Mother or Tiger Anything to motivate me. Yes, I too sometimes was bored with scales and chords. Yes, sometimes my imagined future seemed an unattainable fantasy. Yes, I did sometimes fall flat on my face in public performance (as did my teachers before me and also their teachers before them). Life went on and continues to do so.
You’ve written that “At this point (as a Junior in high school) about 35% of the pressure to do well comes from my parents and the other 65% is complete self-motivation.” From the subtlety of your writing I suspect you’re cutting yourself short with that 65%. You appear to be much more highly motivated than your objective perspective about yourself can show you at this early time.
The violin? I advise you to seriously reëvaluate what you believe is your relationship to any instrument of your choice; if, indeed, the violin has been your choice and not that of someone else. If the violin has been your choice, stay with it through all the coming stormy weather of doubt and seeming incompetence. If it is not, drop it in preference to another more to your liking and its fitness for your physicality. (If it’s the tuba, tell your parents that someone other than I recommended it!)
Good Luck!
Cordially,
André M. Smith, Bach Mus, Mas Sci (Juilliard)
Diploma (Lenox Hill Hospital School of Respiratory Therapy)
Postgraduate studies in Human and Comparative Anatomy (Columbia University)
Formerly Bass Trombonist
The Metropolitan Opera Orchestra of New York,
Leopold Stokowski’s American Symphony Orchestra (Carnegie Hall),
The Juilliard Orchestra, Aspen Festival Orchestra, etc.
Continuing to follow the saga of what may be one of the more outrageous examples – and there are similar examples aplenty! – of the child abuses of Amy Chua, I think it timely and prudent to provide a healthy, humane counterpoint by way of a much different kind of example of adult guidance to a young stranger. To wit:
ADVICE TO A YOUNG PERSON INTERESTED IN A CAREER IN THE LAW
In May 1954, M. Paul Claussen, Jr, a 12-year-old boy living in Alexandria, Virginia, sent a letter to Mr Justice Felix Frankfurter in which he wrote that he was interested in “going into the law as a career” and requested advice as to “some ways to start preparing myself while still in junior high school.” This is the reply he received:
My Dear Paul:
No one can be a truly competent lawyer unless he is a cultivated man. If I were you I would forget about any technical preparation for the law. The best way to prepare for the law is to be a well-read person. Thus alone can one acquire the capacity to use the English language on paper and in speech and with the habits of clear thinking which only a truly liberal education can give. No less important for a lawyer is the cultivation of the imaginative faculties by reading poetry, seeing great paintings, in the original or in easily available reproductions, and listening to great music. Stock your mind with the deposit of much good reading, and widen and deepen your feelings by experiencing vicariously as much as possible the wonderful mysteries of the universe, and forget about your future career.
With good wishes,
Sincerely yours,
[signed] Felix Frankfurter
From THE LAW AS LITERATURE, ed. by Ephraim London, Simon and Schuster, 1960.
__________________
I knew that a Paul Claussen had been a major figure (1972-2007) in the Office of the Historian of The United States Department of State in Washington, with an abiding interest in The Great Seal of The United States. http://diplomacy.state.gov/documents/organization/101044.pdf
An obituary of Dr Claussen is on page 47 in http://2001-2009.state.gov/documents/organization/86414.pdf
and http://www.thefreelibrary.com/M.+Paul+Claussen,+history‘s+friend%3A+office+of+the+historian+suffers+a…-a0167843232
So, wishing to determine whether or not the elder Claussen was, indeed, the boy writing to Justice Frankfurter in 1954 I wrote to his former colleague at State. The reply received today follows.
—– Original Message —–
From: PA History Mailbox
To: ‘Andre M. Smith’
Sent: Tuesday, January 10, 2012 10:11 AM
Subject: RE: Chris Morrison
Dear Mr. Smith,
Copied below is the response I received from one of Paul Claussen’s long-time colleagues here in the Office of the Historian.
Yes it is. The young Paul wanted to be a lawyer and so decided to write Felix Frankfurter and ask for his advice. Frankfurter evidently was taken with his letter and wrote back at length…Frankfurter of course kept a copy and the text of the letter has been published in collections of Frankfurter’s writings.
Please contact us of you have any additional questions.
Best regards,
Chris
Christopher A. Morrison, Ph.D.
Historian, Policy Studies Division
U.S. Department of State
Office of the Historian (PA/HO)
_________________________________
Dr Claussen did follow the advice of Justice Frankfurter. And he came out of that advice none the worse for it. The world is much bigger, richer, more tolerant, and more laden with opportunities than the blinkered view of Amy Chua would have her daughters and fellow fear-laden mothers without Ivy League tenure believe.
For a very well-balanced alternative to the mania – and it is nothing less – to which the many Chuas of the world subscribe, read the refreshingly informed reports on http://orient.bowdoin.edu/orient/article.php?date=2009-12-04§ion=3&id=2, http://www.insidehighered.com/news/2009/09/28/china, and http://www.insidehighered.com/news/2009/10/16/liberalarts
________________________
André M. Smith, Bach Mus, Mas Sci (Juilliard)
Diploma (Lenox Hill Hospital School of Respiratory Therapy)
Postgraduate studies in Human and Comparative Anatomy (Columbia University)
Formerly Bass Trombonist
The Metropolitan Opera Orchestra of New York,
Leopold Stokowski’s American Symphony Orchestra (Carnegie Hall),
The Juilliard Orchestra, Aspen Festival Orchestra, etc.
Why is the art of music required to endure the ill-informed antics of such inartistic imbeciles as Amy Chua? Her lust for fame as an old-fashioned stage mother of either a famous violinist (yet another mechanical Sarah Chang?) or a famous pianist (yet another mechanical Lang Lang?) shines through what she perceives as devotion to the cultivation of the cultural sensitivities of her two unfortunate daughters.
Daughter Lulu at age 7 is unable to play compound rhythms from Jacques Ibert with both hands coordinated? Leonard Bernstein couldn’t conduct this at age 50! And he isn’t the only musician of achievement with this-or-that shortcoming. We all have our closets with doors that are not always fully opened.
And why all this Chinese obsession unthinkingly dumped on violin and piano? What do the parents with such insistence know of violin and piano repertoire? Further, what do they know of the great body of literature for flute? For French horn? For organ? For trumpet? Usually, nothing!
For pressure-driven (not professionally-driven!) parents like Amy Chua their children, with few exceptions, will remain little more than mechanical sidebars to the core of classical music as it’s practiced by musicians with a humanistic foundation.
Professor Chua better be socking away a hefty psychoreserve fund in preparation for the care and feeding of her two little lambs once it becomes clear to them both just how empty and ill-defined with pseudo-thorough grounding their emphasis has been on so-called achievement.
Read more about this widespread, continuing problem in Forbidden Childhood (N.Y., 1957) by Ruth Slenczynska.
______________________
André M. Smith, Bach Mus, Mas Sci (Juilliard)
Diploma (Lenox Hill Hospital School of Respiratory Therapy)
Postgraduate studies in Human and Comparative Anatomy (Columbia University)
Formerly Bass Trombonist
The Metropolitan Opera Orchestra of New York,
Leopold Stokowski’s American Symphony Orchestra (Carnegie Hall),
The Juilliard Orchestra, Aspen Festival Orchestra, etc.
I believe some useful purpose will be served by offering here, what the lawyers might like to call, but will seldom welcome, a healthy second opinion; a collective opinion that will demonstrate in abbreviated form the absolute folly of any attempt to teach music to children in the manner advocated by Amy Chua and her supporters.
These titles, with a few accompanying comments, should be read only as an introduction to a vast, interesting subject. There is one observation one can make about them all, and many more on this same subject, if needed to prove the point: Their attempt at an inherent humane understanding. I shall let the individual writers speak for themselves. To wit:
C. C. Liu [fellow at the Centre of Asian Studies, The University of Hong Kong]: A Critical History of New Music in China, Columbia University Press, 2010.
By the end of the nineteenth century, Chinese culture had fallen into a stasis, and intellectuals began to go abroad for new ideas. What emerged was an exciting musical genre that C. C. Liu terms “new music. With no direct ties to traditional Chinese music, “new music” reflects the compositional techniques and musical idioms of eighteenth- and nineteenth-century European styles. Liu traces the genesis and development of “new music” throughout the twentieth century, deftly examining the social and political forces that shaped “new music” and its uses by political activists and the government. http://cup.columbia.edu/book/978-962-996-360-6/a-critical-history-of-new-music-in-china
___________________
Brahmstedt’s China travels bring recognition: TTU [Tennessee Technical University] trumpet professor “Outstanding foreigner.” http://www.tntech.edu/pressreleases/brahmstedts-china-travels-bring-recognition-ttu-trumpet-professor-qoutstanding-foreignerq/
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Music Education in China: A look at primary school music education in China reveals numerous recent developments in general music, band and string programs, and private lessons. Music Educators Journal May 1997 83:28-52, doi:10.2307/3399021. Full Text (PDF)
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Howard Brahmstedt and Patricia Brahmstedt: Music education in China. Music Educators Journal 83(6):28-30, 52. May 1997.
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Joseph Kahn and Daniel J. Wakin: Classical music looks toward China with hope. The New York Time, 3 April 2007. http://www.nytimes.com/2007/04/03/arts/music/03class1.htm?pagewanted=all
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Ho Wai-Ching: A comparative study of music education in Shanghai and Taipei: Westernization and nationalization. A Journal of Comparative and International Education 34:2, 2004.
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Yuri Ishii and Mari Shiobara: Teachers’ role in the transition and transmission of culture. Journal of Education for Teaching 34(4):245-9, November 2008.
There are some common trends, which indicate that certain values are now shared among music education policies of many Asian countries. These are an emphasis on the purpose of education as the development of children’s total human quality rather than mere transmission of skills and knowledge by rote learning, the encouragement of a learner-centered approach, the introduction of authentic assessment, the integration of existing subjects, and the assertion of cultural specificity.
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Chee-Hoo Lim: An historical perspective on the Chinese Americans in American music education. Research in Music Education May 2009 vol. 27 no. 2 27-37.
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Howard Brahmstedt: Trumpet playing in China. P. 29. International Trumpet Guild Journal, February 1993.
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Richard Curt Kraus: Pianos and politics in China. Middle-class ambitions and the struggle over Western music. Oxford University Press. New York, 1989.
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From Shanghai Conservatory to Temple University
Yiyue Zhang holds both Bachelors and Masters in Music Education from Shanghai Conservatory of Music in China. Currently, she is pursuing a Master’s degree in Music Education at Temple University. Ms. Zhang is from a family of music. She first learned Chinese classic dance from her father at the age of 3. She then started to learn accordion at the age of 5 and piano at the age of 6. During the close to 20 years of piano training and education, she has also been learning saxophone, cello, vocal music and percussion instrument of Chinese ethnic nationalities. In addition to piano solo, Ms. Zhang has rich experiences as a piano accompanist for vocal and chorus performances. When she served as the accompanist for the female choir of Shanghai Conservatory in 2006, they participated in the Fourth World Chorus Competition and won the gold medal for female choir, silver medal for contemporary music and another silver medal for theological music. Before came the United States, Ms. Zhang taught general music at Shanghai Hongqiao Middle School and Shanghai North Fujian Rd. Primary School as her internship in 2006. From 2006 to 2008, she taught piano and music class in Shanghai Tong-de-meng Kindergarten while held Chinese Teacher Qualification Certificate. Ms. Zhang is currently the piano accompanist of Chinese Musical Voices located at Cherry Hill, NJ as well as the assistant conductor of Guanghua Chorus located at Blue Bell, PA. While holding Early Childhood Music Master Certification (Level 1) from The Gordon Institute for Music Learning, she is also actively engaged in the educational and cultural activities with the networks of local Chinese schools in the Philadelphia area. http://www.temple.edu/boyer/music/programs/musiced/MusicEducationGraduateAssistants.htm
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Li Ying-ling: Essential study on the function of children’s music education.
Music education is beneficial in the comprehensive development of children’s healthy personality, helpful to enlighten the children’s creative thinking, helpful to educate the regulation senses of children, helpful to develop the children’s language and good emotion. It has certain social effect and realistic meaning for the growth of children. Every teacher should pay attention to the functional character of children music education, consciously meet the demands for music education of the children nowadays, strengthen the socialization function of music education, promote socialization proceeding of children. Music Department of Kunming University. Journal of Kunming University 2:2009.
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André M. Smith, Bach Mus, Mas Sci (Juilliard)
Diploma (Lenox Hill Hospital School of Respiratory Therapy)
Postgraduate studies in Human and Comparative Anatomy (Columbia University)
Formerly Bass Trombonist
The Metropolitan Opera Orchestra of New York,
Leopold Stokowski’s American Symphony Orchestra (Carnegie Hall),
The Juilliard Orchestra, Aspen Festival Orchestra, etc.