Are Asian and Asian American men getting the shaft so to speak from our own writers? This isn’t a new question, Asian American writers like Maxine Hong Kingston and Amy Tan have received their fair share of criticism from some in the community for their “negative” portrayals of Asian men in books like The Woman Warrior and The Joy Luck Club. But is “racist love” still alive and well among our writers especially when it comes to the characterization of Asian males? Chinky or not chinky?

The always-provocative MaSir Jones over at his Destroy and Rebuild blog recently posted this entry entitled “Asian-American men get shafted even in literature.” He focuses on a list compiled by a commenter over at BigWoWo (my pick for the most literate Asian American blog) of novels from Amazon’s Meet the Asian American Authors book list. As he explains, the commenter’s purpose for exploring this list was “to find literature where the protagonist and love interest of the story is an Asian-American male. His findings are appalling, yet not all that surprising to say the least.

So just how appalling were the findings? Check it out for yourself (note: there are a few books on this list I am not familiar with so I can’t vouch that all the information below is correct):

The Piano Teacher: A Novel by Janice Y. K. Lee
Based in: WWII Hong Kong
Male protagonist: British White Male
Love interest: White female/Euroasian female

Snow Flower and the Secret Fan: A Novel by Lisa See
Based in: Olden days China
Male protagonist: None (Though there are abusive Chinese Husbands)
Female protagonist: Chinese females
Soon to be made to a film directed by Wayne Wang (Joy Luck Club 2)

Pearl of China: A Novel by Anchee Min
Based in: Cultural Revolution China
Two female protagonists
Antagonists are Chinese males

Chinese Cinderella: The True Story of an Unwanted Daughter by Adeline Yen Mah
No male protagonist/love interests?
Mainly about a rough childhood.

Dragon Bones: A Red Princess Mystery (Red Princess Mysteries) by Lisa See
Based in: Modern China
Male Protagonist/love interest: White American Male
Female Protagonist: Chinese Female

Petals From The Sky by Mingmei Ye
Based in: China/US
Male Protagonist/love interest: White American Male
Female Protagonist: Chinese Female

Good Things by Mia King
Male Protagonist/love interest: White American Male
Female Protagonist: White American Female

Only Uni (The Sushi Series, Book 2) by Camy Tang
Based in: US
Male Protagonist/love interest: White American Male?
Antagonist: Creepy Asian American Male (but attractive?)
Female Protagonist: Asian American Female

My Year of Meats by Ruth L. Ozeki
Based in: Japan/US
Male Protagonist/love interest: Older White American Male
Antagonist: Japanese Male
Female Protagonist: Asian American Female, Asian Female

The Bonesetter’s Daughter by Amy Tan
Amy Tan: No need for explanation here.

Sweet Life by Mia King
Male Protagonist/love interest: White American Male
Female Protagonist: White American Female

The Joy Luck Club by Amy Tan
Amy Tan Classic – The quintessential example of how to throw all Asian-American men under the bus.

Kira-Kira (Newbery Medal Book) by Cynthia Kadohata
Based in: US
Children’s book, sounds quite beautiful though. No Asian guy bashing!!!! (I think)

Wild Ginger: A Novel by Anchee Min
Based in: Cultural Revolution China
Male Protagonist/love interest: Chinese Male who turns Antagonist
Female Protagonist: Euroasian Female

The Last Empress: A Novel by Anchee Min
Based in: Ancient China
Male Protagonist/love interest:: None, but a lot of pathetic Chinese Males
Female Protagonist: Chinese Female (To be fair, Tzu Hsi is probably judged a lot harder by Ancient Chinese historians because she was a woman ruler, the men during those times have probably done a lot worse).

Unaccustomed Earth: Stories (Vintage Contemporaries) by Jhumpa Lahiri
Short stories that deals with a range of issues.
NO white saviors from what I have read.

The Space Between Us: A Novel ( Deckle Edge ) (P.S.) by Thrity Umrigar
Based in India. Indian female/Indian male?

The Namesake (movie tie-in edition) by Jhumpa Lahiri
Male protagonist: Indian American male

One Amazing Thing by Chitra Banerjee Divakaruni
Various characters, but no Asian Male?

Itsuka by Joy Kogawa
Fight for compensation for Japanese-Canadian internments.

Now if you just go off this list, it would seem that indeed Asian and Asian American men are continuing to be portrayed negatively or are altogether invisible. But before we pass judgment, let me make a few observations.

First, even though the list above comes from Amazon’s Asian American authors list, it isn’t the complete list. It’s omitting books by authors like John Okada and Chang-Rae Lee who are also a part of Amazon’s list and do contain “positive” Asian American male protagonists. I’m not suggesting the commenter deliberately selected mostly those works that would help make his point, but there are indeed additional books represented on Amazon’s list that might paint a more fuller picture that weren’t included above.

But what Amazon’s list does that is problematic is that it ignores a whole range of books that do present Asian American male protagonists as more complex beings. I would include contemporary authors like Leonard Chang, Nam Le and Don Lee in this category as well as old-schoolers like Carlos Bulosan and the aforementioned John Okada. I’m particularly a big fan of Leonard Chang’s neo-noir Allen Choice novels, which kicked off with Over The Shoulder (Lost’s Daniel Dae Kim optioned the film rights some years ago). In Choice, Chang has created an interesting, multi-dimensional Asian American male protagonist who even gets the girl. But I know there are those who would argue that these works don’t get the same level of attention as some of the other titles/authors with more of a perceived anti-Asian male bias.

A couple of other factors to consider in this debate: it seems to me that many of these accusations of an anti-Asian male bias tend to be aimed at successful Asian American female authors (i.e. Kingston, Tan and their literary offspring) by Asian American male authors who may not have enjoyed the same sort of “mainstream” (i.e. white) popularity. How much of this conflict is fueled by this issue of gender disparity–both real and/or perceived? And is there sexism at work here?

Finally, from my unscientific observations, it seems that a good number of the Asian American female authors who are attacked on this point are linked to significant others who are non-Asian and usually white. Which raises the question of how much of the author’s cultural background is a factor in their work? People who pursue a career in the arts tend to be outsiders or have a “rebellious” streak to them. Is it possible that the Asian American women who are more likely to become writers are those who have more overtly felt the need to rebel against or reject what they see as an oppressive Asian cultural patriarchy and that viewpoint is what’s present in their work? I do know a number of Asian American women who’ll only date white or non-Asian men, for example, because they’ve had a bad history with the Asian male figures in their lives. Is a similar perspective simply over-represented in the pages of some of the more successful Asian American novels?

So what do our readers think? Is there a general anti-Asian male bias in Asian American literature? Or do you think it’s just a case of some Asian American men just being whiny? Or do you not even feel this should be an issue anymore and we should just move on already? Chinky or not chinky?