Roger Tang wears hats. Lots of hats. So many hats he needs to check them to see what he needs to do at any given moment. Last he checked, he wrote two scenes for Revealed, a site specific piece for SIS Productions. Next time he checks, he might be producing the Northwest premiere of Carla Ching’s Fast Company for Pork Filled Productions. And if he checks again, he might realize he needs to update the Asian American Theatre Revue with even more news and events in Asian American theatre across the country. Hats. Sigh.
kt Shorb, Kat Evasco, Viet Nguyen, Anu Yadav, Traci Akemi Kato-kiriyama
The book is closed on the 2014 Consortium of Asian American Theatre Artists Conference/Festival (that’s CAATA and ConFest for short), the fourth of its kind. Like other Asian American theatre artists, I leave feeling both drained and energized. Drained, because it was constantly go-go-go: watching panels, catching new pieces, networking with fellow professionals, etc. etc. etc. Energized because making art can be lonely, especially for Asian American artists; knowing that you’re not alone, that you have peers that support you is simply exhilarating.
I’ve been to previous conferences (plus the convening in Seattle in 1999), wearing many hats. I write, first with the Pork Filled Players, then with SIS Productions in Seattle. I’m also a producer/administrator, having served as a fundraiser for the late Northwest Asian American Theatre and as founder/Executive Director of Pork Filled Players/Productions. And finally, I am the editor of the Asian American Theatre Revue, the online calendar and news journal about Asian American theatre events that virtually binds, connects and informs Asian American theatre artists around the world (I’m literally the reason the conference knew some groups even existed). Read more...