I want to take the opportunity to say a big congrats to fellow Offender Beverly who’s going to be a single parent. I’m also planning to be a single dad through surrogacy next year… I meant I have already started the process and am planning to have the child next year. I’ve always wanted to have a child since I was a teenager, and it seems like these couple years feel the right time to do it. It’s now or never. What are your thoughts on single parenting? Were you raised by a single mom or dad? What advice, thoughts or blessings would you give us?
After almost 10 years since I started making my first documentary feature 0506HK, I was brought back to my little known and seen film by a festival in Kochi, India, which is showcasing it in their “Make Belong” program as part of Kochi-Muzuris Biennale. Right after Ethan Mao between 2005 and 2006, I picked up a prosumer HD camcorder and decided to make a film about my own search for identity. I had just turned 35 and I was wondering if I should return to my birthplace—Hong Kong—to live and make films.
Earlier this year, I came across an essay written by Candice Chung titled “Why Chinese Parents Don’t Say I Love You” from a friend’s Facebook page. As a first generation Chinese immigrant from Hong Kong, even though I know there’s much truth in the essay, it’s never too late to say “I love you” to your Chinese parents and vice versa.
About a decade earlier, my mom started saying “I love you” to me after every phone conversation. I was already in my mid-thirties and I thought in the beginning that it definitely felt new and different. Perhaps because I was Asian and a guy, I was slightly awkward at PDA for most of my life. Not long after she started, she got me to say “I love you” back to her. In the back of my mind, I would wonder why I had to say it because it was obvious. Is saying “I love you” overstating a fact? Can’t you tell from my actions and behavior that I do love you?
(Please see the details of the case of Ben Edelman vs. Ran Duan of Sichuan Garden in the following link)
Dear Mr. Duan,
I have reviewed the published correspondence between you and Mr. Edelman and have deemed Mr. Edelman to be in the right.
As a Chinese immigrant myself, apart from your restaurants not adhering to the provisions of State laws, I am appalled at the horrible customer service and experience that you and your institutions provided to a legitimate and paying customer, including ungrammatical English.
Yesterday, John Woo’s latest epic, The Crossing, opened in China. They even opened the movie ahead of Hong Kong, so my film critic friend had to make a trip to the neighboring city of Shenzhen, one of the youngest cities in China rivaling Hong Kong in both its economic progress and bustling population, to watch the movie in the theater. Naturally I had to tag along.
I’ve been hearing about the Golden Horse Film Awards since I was growing up in Hong Kong, and this year was its 51st edition. I met Christy from the Golden Horse Film Project Promotion at the NAFF project market at Puchon and pitched her my Chinese romantic comedy project Morning, Paris! Two months later, I got an invite to participate in the Film Project Promotion which, for years, my filmmaking colleagues have been telling me great things about.
Walking the Golden Horse Film Awards Red Carpet!
Writer/Producer NaRhee Ahn and I have been fans of the horror thriller genre since childhood and we have been talking about working on a genre project for years. As Asian Americans, we wonder why there hasn’t been a project like this earlier. Justin and I made Shopping for Fangs, which was initially branded as a thriller but it’s essentially a genre-hybrid dramedy. I also remember Offender Philip had an Asian American horror in the works several years ago.
But this genre has been virtually unexplored in Asian American cinema.
While there is no debate that Interstellar is a well-made film that’s entertaining and thoughtful, I do find it troubling that the film envisions a future that’s extremely homogenous and white. Ironically, some of the world’s greatest films also end up to be the most racist films like D.W. Griffith’s The Birth of the Nation. There is no debate that The Birth of a Nation is a great cinematic achievement, yet is it not equally racially troublesome?
In Interstellar, there are virtually no people of color other than the token black astronaut (somehow a token black guy always gets cast in these Hollywood space sagas), the black principal and Latino teacher who try to block the main character’s son from going to college, and an Asian extra in the baseball game.
It’s that time of the year again—Halloween—my favorite season. If you have to pick one iconic horror movie villain to remember for this trick-or-treat month, who would that be? And Why? For me, it would be the Tall Man from the Phantasm series. When I first saw the Tall Man in the original Phantasm, I kept wondering what he was about. And he really scared me as a kid, “Boy!!!!!!!” The Tall Man has always been shrouded in mystery. He isn’t exactly a villain… but more of a servant of the dark… or of an alien race… almost like the Terminator… but he certainly executes the scary deeds of his anti-human boss. Who is the Tall Man???
IRIS: I love Vincent Price as a villain. His voice and persona are so distinctly memorable. I went to see him speak once while in college. He read his lines from Michael Jackson’s “Thriller,” which was definitely a treat to hear in person. Iconically evil, but hilarious at the same time:
Nature works in beautiful and mysterious ways. Almost 8 years ago, I went into a pet store where a cockatiel jumped on my finger and refused to leave me. I took him home and named him Holden. A year later, I got him a companion cockatiel Toffey and a few years later they gave birth to Mochi. In a couple years, Holden, the father, began having sex with Mochi, his daughter. I was at first disapproving but then I realized that they were going to do what they would do with or without my approval… so I let it go but was hoping that they wouldn’t have children together.
Below is the spirited debate on my Facebook page about the recent Hong Kong protests and democracy when I posted the above image I found on the internet as my Facebook profile picture. The picture is a portrait of the 17-year-old vocal leader Joshua Wong of the current Hong Kong protests.
FM Dude.. please don’t change your profile pix. This face is NOT sexy.
October 1 at 8:53pm · Like · 1
QL He’s the future of Hong Kong! Is there any 17-year-old braver than him?
October 1 at 8:55pm · Like · 3
FM If he is the future then I better get the hell out of here!!!
October 1 at 9:08pm · Like
After I returned from China this past January, I made a short PSA called Wedding Plan and it got circulated on Youtube. A friend, Howard Fong, ended up passing my short to author Cynthia Chin-Lee who turned me onto her children’s picture book Operation Marriage illustrated by Lea Lyon. After I read it, I immediately wanted to make it into a film.